The philosophies of Francis Bacon were actually inspired and patterned from the thoughts and idealisms of Plato. "The human understanding is of its own nature prone to suppose the existence of more order and regularity in the world than it finds. "The Four Idols" of Francis Bacon summarizes an observation of how humans form information in their minds same subject discussed by Plato in his "The Allegory of the Cave." According to Bacon, there are things in wherein the truth is hard to bare, thus the human mind resorts to information that are available to him sometimes just assuming that the available information are the facts and reality. Moreover, Bacon suggests that such false foundations, if passed in time, can only ruin the world. There is a critical distinction between an accountant and a philosopher like Socrates, though. The ideal of how a corporation should behave and keep its books will invariably fall short of the reality, as the sloppiness of every day life, the new challenges posed by a dynamic business environment, and deliberate and accidental misinterpretations of the rules cause a deviation from the ideal, abstract forms that the reality is supposed to correspond to, Platonically. But they would be mistaken if they thought that the word 'book' refers to something that any of them has ever seen" (Cohen 2006). "Prisoners may learn what a book is by their experience with shadows of books. The discrepancy between the ideal and the real and the difficulty of arriving at the truth through deduction and induction is something that everyone must grapple with who deals with the ethics of a profession, like accounting. "Book VII of Plato's The Republic "The Allegory of the Cave"." 2009, 's%20Allegory%20of%20the%20Cave.pdf. "A Modern Worldview from Plato's Cave."Temple Study, 2009, .
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"Out of the Shadows and into the Light: Liberation through Education." The Vermont Connection, Vol 38, Article 8, 2015, pp. Plato's "Republic": "The Allegory of the Cave and the Analogy of the Divided Line." 3 April 2014, . According to Aquileana (2016), after acquainting himself to his new world, he subsequently recognizes that his entire presence…Īquileana. The prisoner's version of reality had always been the shadows on the wall.
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Plato then supposes that if one prisoner was set free and departed from the cave, he will find it difficult to see because of the sun and will be anxious about what he sees around him. The people carrying puppets or objects, the puppeteers, create shadows of the objects on the wall, and for the prisoners, these shadows are real. Plato's 'Allegory of the Cave' presents a world whereby prisoners lived chained to the wall of the cave.
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The beginning of Plato's book VII of the "The Republic" (514a - 520a) is a written dialogue between Glaucon, Plato's brother, and his mentor, Socrates - The Allegory of the Cave. He saw it in the form of drawing on the wall in the dark cave and realized that while art offered a means of communication, it could suppress man's ability to think clearly and may even fail to illuminate…ġ) Plato Allegory of the Cave: Excerpt accessed online 15th Feb 2005:
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In this allegory, art has been presented in a negative light because Plato saw what people could do with art.
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When we closely study the allegory, we realize that for Socrates and Plato, art was something powerful and thus dangerous. Two very vital subjects discussed are art and truth. It appears in form of dialogues between Socrates and Glaucon and they touch upon various important concepts in connection with learning and discovery. Allegory of the Cave: Plato: Truth and ArtĪllegory of the cave is one of the most interesting, enlightening and insightful example given by Plato in his book The epublic to explain such vague concepts as knowledge and truth.